We’re No. 1!

We’re No. 1! is a weekly feature looking at first issues in new comic series, as well as one-offs and special releases. In his reviews, Jeff highlights stories with diverse characters and plot lines Geekquality readers can care about, as well as points out comics that miss the mark.

TNLegendsSonja01CovAnacletoGreat stuff happening this week, beginning with the grand endeavor that is Legends of Red Sonja #1! Writer Gail Simone’s recent work on Red Sonja’s ongoing series from Dynamite Comics has been pretty fantastic, and she’s helping create a second series for the She Devil with a Sword. This book brings together some of the great female writers in science fiction & fantasy literature and comics to tell short tales of Red Sonja’s adventures, set in a frame narrative by Simone and artist Jack Jadson. In the first issue Nancy A. Collins (author of the Sonja Blue vampire novels) and artist Noah Salonga create a thriller about Sonja versus a werewolf cult, followed by beloved Batman writer Devin Kalile Grayson’s swashbuckling tale of high seas adventure with artist Carla Speed McNeil. The ongoing series will feature other contributors, including YA fantasy legend Tamora Pierce and dark romance novelist Maljean Brooks. To see women collaborating on such an iconic female hero is all kinds of exciting, and the book itself holds up to that promise. Red Sonja rarely holds back, of course, and these tales of adventure feature all the violence and stubborn charm that Sonja has embodied over the years. The frame tale of twelve killers hunting Sonja for revenge seems a little simplistic at first, but each character here clearly has their motives for wanting the barbarian warrior’s head on a plate, and hopefully the rest will be as fully explored as those from the first issue. This is a book to watch and collect, for fans of both comics and the featured authors as well. Continue reading

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A New Ms. Marvel Introduced!

Brace yourself, Internet: Marvel Comics has announced a new superhero.

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Photo: Associated Press/Marvel Comics

16-year-old Kamala Khan will be taking the mantle of Ms. Marvel, formerly owned by Carol Danvers. Danvers has since moved on to take the name of Captain Marvel, leaving the moniker of Ms. Marvel open for this new character.

Kamala Khan is the daughter of Pakistani immigrants, a Muslim-American and—oh, yeah—a character that can have more than two things define her. She’s also a teenage girl from Jersey, a daughter, a high school student and (lest we forget) someone with superpowers. But those other aspects of this brand new character have seemed to fall by the wayside.

Not surprisingly, this announcement has been met with a slew of Islamophobic and racist comments and tweets, and (of course) responses from a whole bunch of people who know nothing about comics. Because these people do not deserve to get any attention, if you want to see them, all you need to do is go to your local Yahoo comments section or Twitter feed.

Many of the comments seem to revolve around criticizing Marvel Comics for being “politically correct.” However, if being politically correct means representing more races, religions, gender, sexualities, size, physical abilities, backgrounds and creeds – and representing them as full characters with emotions, flaws and purpose – then sign me up.

Other comments seem to not understand that just because a character shares the same superhero name, doesn’t mean they are the same person (or a reboot of the same person). After all, current Carol Danvers’ Captain Marvel is not a reboot of former Monica Rambeau’s Captain Marvel. Cassandra Cain’s Batgirl was not a reboot of Barbara Gordon’s Batgirl. Miles Morales’s Spider-Man is not a reboot of Peter Parker’s Spider-Man. And Kamala Khan is not a reboot of Carol Danvers.

Same moniker, different character. It’s possible, people.

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Photo: Associated Press/Marvel Comics

According to what Marvel editor Sana Amanat told the Associated Press, this series will focus on what it means to grow up in the United States as a child of two worlds—both as a Muslim-American and as someone with superpowers.

This character is really the brainchild of Sana Amanat, who had discussed her Muslim-American upbringing with Marvel senior editor Steve Wacker. Amanat will be working with writer G. Willow Wilson closely, and will be able to give her unique perspectives that Wilson might not have on her own. Wilson has also written many critically acclaimed comics (Cairo, Air), and seems to have a firm grasp on speaking diverse voices into diverse characters. The artwork will be done by Adrian Alphona, best known for his work on Marvel’s Runaways series.

If you ARE excited about this, then comics writer Kelly Sue Deconnick has some words for you:

“Are you excited about the new Ms. Marvel?  Telling Tumblr is great. Telling your retailer is even better. You know what else you can do? TELL MARVEL by writing to them directly — even just to say you like the direction they’re going.”

In her post on Tumblr, Kelly Sue also includes the contact information for Marvel, DC, Boom, Image, Oni and Dark Horse.

Another way to get your voice out is to speak with your money, if possible. As loud as voices get, money speaks to large companies with much more volume. Using websites like Comixology can help if there are no local comic stores near you.

This obviously isn’t tacit praise of the book on my part, since it isn’t out until February of 2014. Praising something that hasn’t been released is like saying you love a food you’ve never tried. However, the promise of a series that continues the Ms. Marvel name, highlights Muslim-American life, diaspora, and teens with superpowers AND upsets Islamophobes? Score one for Kamala Khan.

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GeekGirlCon ’13 Programming Highlights

Although we didn’t attend nearly as many panels as we did at previous year’s GeekGirlCon, we still covered a pretty broad swath of programming and thought we’d share some highlights with you.

Tanya’s recap:

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Panelists The Shanghai Pearl and Chaka Cumberbatch, with moderator Andrea Letamendi, talk race in costuming and performance

Deconstructing the Mary Sue
Panelists: Amber Benson, Andrea Letamendi, Cecil Castellucci, and Sarah Kuhn; moderator: Javier Grillo-Marxuach

The aim of this session was to look at the “Mary Sue” character trope and discuss why using it may be doing harm to writing interesting female characters. While the definition of a “Mary Sue” is varied and open to some interpretation, overall it’s been used to describe a female character that is very idealized and seemingly capable of doing anything. Finding its roots in discussion of fan created works, it has also made its crossover to mainstream character criticism. Andrea Letamendi pointed out that fans often have a defensive sense of ownership of characters and their particular fandoms, and thus can be especially critical. But, as one audience member said during the closing Q&A, describing a character as a “Mary Sue”, a connotation which has become a pejorative, can be another form of gender policing. This is something the panelists agreed with, and that opinion is what motivated the discussion. This criticism of being Mary Sue-ish is lobbed at heroines, while male characters – James T. Kirk, anyone? – don’t seem to face the same level of scrutiny. “It’s almost that we’re uncomfortable letting women have these fantasy female characters,” said Sarah Kuhn. Part of the issue is that women in fictional works are frequently expected to be aspirational, “role model” type characters. This often doesn’t leave room for flaws, or being a little bit broken, rather than perfect and pulled together. As creators of characters, whether acting or writing fiction, the panelists admitted that sometimes there is a worry when creating a character that it might get picked apart. The specter of bad Goodreads reviews looms, as does the existence of quizzes like the Universal Mary Sue Litmus Test, but ultimately the best way to keep pushing forward with bringing more diverse characters to the table is to simply keep writing what feels interesting and relatable. Asked by Javier Grillo-Marxuach to pick one favorite recent “anti-Sue” character, the panelists picked Dr. Ryan Stone from Gravity, Mako Mori from Pacific Rim, Amy Dunne from the hit novel Gone Girl, and Boomer from the Battlestar Galactica reboot. Unfortunately, this panel was a case where time constraints really worked against the goal of the discussion, because it was almost nearing the end when the conversation really hit its stride. Continue reading

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“We’re No. 1!” A Case of the Halloween Blahs

We’re No. 1! is a weekly feature looking at first issues in new comic series, as well as one-offs and special releases. In his reviews, Jeff highlights stories with diverse characters and plot lines Geekquality readers can care about, as well as points out comics that miss the mark.

Sandman-Overture-CV1_SOLICIT_sxvqsdoynu_To call this week’s crop of #1s a mixed bag would be a disservice to mixed bags, whatever they are. Reading this week’s books was like digging through the bottom of Halloween candy about ten days after the big event. All the good stuff is gone and you’re left with the “meh” candy, perfectly fine but not outstanding in any way. For example, the much anticipated return of Neil Gaiman to his master creation had the Twitterverse buzzing. However, The Sandman Overture #1 from Vertigo proved to be just acceptable. While the art from the genius J.H. Williams III is beautiful and complex, the tale leaves something to be desired, especially if you aren’t a regular reader of the series. (I admit I am not.) The book is quite convoluted for new readers, and the dreamy aesthetic, while pretty to look at, made it hard to follow or to keep my attention. Continue reading

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Halloween links and entertainment round-up

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This Halloween has found us tired, sleepy, and sitting in piles of tissues surrounded by cups of tea and bowls of soup because of the cold season. Don’t you feel it? Many folks have mentioned feeling especially tired these past few weeks. (Personally, we blame it on the dementors.)

Rather than leave you completely empty handed without our take on this ghoulish of holidays, we’ve done our part by compiling some links for your enjoyment. So if you’re like us, planning to spend tonight under blankets huddled up on the couch with the TV, a book, or your laptop, here’s some stuff.

For starters, here are some of our past posts on all thinks ghastly and spooky:

Elsewhere, across the web, we’ve picked a few worthwhile articles and resources for you:

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Last, but not least, because I’m trying to do the legwork for you, here are my suggestions for streaming Netflix movies to watch tonight. (If you don’t have a Netflix account, Hulu has a pretty extensive library of free horror and suspense movies, but I can’t attest to their quality.)

(Shameless plug time: my friend Marie and I just launched Cinema Midnight, our B-movie/cult flick movie review site, which currently has three spooktacular movie reviews for your enjoyment already.)

How are you spending Halloween? What movies are you planning on watching or games that you’ll be playing, if you’re staying in? Tell us in the comments!

 

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“Death Comes in Many Strange Packages”: Tales from the Hood as a Socially Conscious Horror Film

This post originally appeared on Persephone Magazine. It is cross-posted here with editorial permission.

As a child, I watched a lot of horror movies. We were poor and could rarely afford to go to the theater to see new films. But, we could afford to take a trip to the local video rental store here and there and pick up some old movies and kettle corn. My parents often rented the cheap, B-Horror films, movies such as Monkey Shines, The Dentist, and Bloody Birthday, and we would watch them as a family in a dark room with my brother and I lying on the living room floor and my parents cuddled on the couch. We can debate about the impact that had on our young psyches; my brother used to be so terrified of the Nightmare on Elm Street 4 box cover that he would shield his eyes when it entered his field of vision. But, it took a lot to scare me then and now.

That was until 9-year-old me watched Tales from the Hood for the first time.

Tales-from-the-Hood_netflixTales from the Hood is a horror anthology film written and directed by Rusty Cundieff and produced by Spike Lee. The film follows three drug dealers stopping at a funeral to purchase a large “stack” of drugs found in an alley by mortician Mr. Simms (Clarence Williams III). Simms promises to get the men “the shit.” In fact, he promises that they’ll be “knee deep in the shit!” But, first he gives them a tour of the funeral home and tells us the stories of the untimely passing of his current customers. While this set up doesn’t differ very much from other horror anthology framing devices, the individual stories manage to be horrifying yet empowering in a way I’ve rarely seen in other horror films. Let’s explore those in more detail.

[Content warning: racism, police brutality, child abuse, domestic violence, blood, gore, gun violence] Continue reading

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Geeking Out

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“We’re No. 1!” Vengeance! Spies! Adventure!

We’re No. 1! is a weekly feature looking at first issues in new comic series, as well as one-offs and special releases. In his reviews, Jeff highlights stories with diverse characters and plot lines Geekquality readers can care about, as well as points out comics that miss the mark.

prettydeadly-01The internet has been abuzz about two of the big releases out this week from Image, and neither title disappointed. Pretty Deadly #1, from writer Kelly Sue Deconnick (Captain Marvel, Ghost) and artist Emma Rios (Osbourne, Hexed), has generated a lot of early interest and the book delivers on several levels. It’s a Western, at least in setting, but the narrative has a dreamy, fantastical quality that moves it beyond being just a good shoot-em up. Pretty Deadly is the story of Deathface Ginny, a vengeful spirit and the daughter of Death himself, who rides the plains bringing vengeance to those who deserve it. Ginny might be the focus, but she’s part of a bigger tapestry. Her tale is told by two traveling performers: an old blind man named Fox and a little girl called Sissy, dressed in a robe made of vulture feathers. They enact Ginny’s story as they travel from town to town, collecting a little cash at each performance, but there is more to these wandering minstrels than meets the eye. Bone Bunny (an actual dead rabbit), in turn, is telling Fox and Sissy’s harrowing tale of gunfights and adventure to a butterfly, and both layers of engaging, dreamlike narration hold the heart of the story in their hands. There is gritty Western action and great dialogue, and the beautifully mystical artwork by Rios helps the poetic narrative ascend beyond mere action-adventure. While Pretty Deadly isn’t the powerhouse of feminist ass-kickery that DeConnick’s Captain Marvel has been, it’s a fantastic book about women by women, which we can’t get enough of, ever. But beyond that, after two readings of the first issue I was struck by what ELSE Pretty Deadly is: it’s damned scary. Continue reading

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Agents of S.H.I.E.L.D. Ep. 5 – “The Girl in the Flower Dress”

Last week I said that Agents of S.H.I.E.L.D. needs to stay away from international locales, based on their reliance on stereotypes and less than stellar performance when it comes to cultural sensitivity. This was mostly in response to their treatment of Peru in “0-8-4” and I had my doubts that Belarus fared any better in “Eye-Spy” (which was otherwise a pretty great episode). In the comment, reader Syros pointed out that I was right to have my suspicions and Belarus got the stereotyping shaft. Why do I bring this up? S.H.I.E.L.D. Ep. 5, “The Girl in the Flower Dress”, begins with a few notes from a guzheng (the ubiquitous Chinese zither), before cutting to a shot of a junk sailing past the Hong Kong skyline.

Uh oh.

Fortunately, once we get past that initial stereotypical ridiculousness, we’re presented with a modern, not too terrible Hong Kong resident Chan Ho Yin (played by New York-based Japanese/Taiwanese actor Louis Ozawa), this week’s McGuffin. We also meet the lovely Ruth Negga (Misfits) doing a credible American accent as the titular Girl in the Flower Dress, Raina. As always, I’m going to try to keep things fairly spoiler free. Continue reading

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We’re Back from GeekGirlCon!

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Awesome cosplayers are awesome (drop a note if that’s you, so we can caption it!)

Another GeekGirlCon has come and gone, and this time it was nice to visit the city of Seattle in October, when the air is cool and the trees are wearing their autumn finery. It was my second time at the convention, and a first time for Mace. Between the two of us, we tried to cover as much ground as possible, with a few kick-off events, various panels and workshops on both days, and a good amount of time spent wandering the exhibit halls. We’ll share our panel recaps later, once we’ve both recovered from our colds. For now, general impressions. Continue reading

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Geeking Out: GeekGirlCon ’13

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This weekend kicks off the third year of Seattle’s GeekGirlCon, a convention celebrating “the legacy of women contributing to science and technology; comics, arts, and literature; and game play and game design.” It is very much an event by the fans, for the fans, and we had a wonderful time last year. A couple of us are returning to the convention where Geekquality first found its roots, and rather than the usual list of links for you, we thought we’d highlight some of the programming that’s caught our attention.

SATURDAY, OCTOBER 19

Besides going to GeekGirlCon for fun and education, we’re very excited that our Managing Editor Tanya will also be joining Jarrah Hodge, Mary Czerwinski and moderator Jamala Henderson to talk Star Trek and feminism during their panel Is Star Trek a Feminist Utopia? (Sat, 6:30pm, RM302) We hope some of you can make it!

There are a multitude of panels for those interested in Science, Technology, Engineering and Mathematics (STEM). We’re most excited about Best Of Both Worlds: Careers Where STEM Meets the Humanities (Sat 12:00pm, LL3), when Hsiao-Ching Chou, Nazila Merati and Suzette Chan will discuss opportunities for combining a love for fine arts and physical science. Also at noon is Edible Astronomy, a hands-on demo demonstrating the formation of the universe using things you can find in your kitchen! (Sat 12:00pm, RM204) The astrophysicists will be back in the afternoon for Ask the Astronomers (Sat 1:30pm, RM302) and we’re also looking forward to Making Science Fun: For Girls, Boys, and Everyone (Sat 2:00pm, RM 301) with Alice Enevoldsen and Holly Csiga.

Saturday also kicks off with a bang with two discussions we won’t be missing in room 303. First is Deconstructing the Mary Sue Myth, what promises to be an interesting conversation about the “Mary Sue” character trope and what it really means when it comes to discussing and creating female characters. Panelists include television screenwriter andproducer Javier Grillo-Marxuach, actress and author Amber Benson, and author Sarah Kuhn (Sat 10:00am, RM303). Following that is Race in Costuming and Performance with Chaka Cumberbatch, a well-loved professional cosplayer who will discuss concepts of appropriation, as well as race representation in cosplay and character creation.

Other programming of note for Saturday:

  • Octobriana, the Black Heroine, and Wonder Woman: A Comic History (Sat 11:00AM, RM302)
  • Changing Culture in Mainstream and Alternative Spaces (1:00PM RM303)
  • Female Characters in Game Design (Sat 2:00PM LL2)
  • Anything That Loves: Comics Beyond “Gay” and “Straight” (Sat 2:00PM RM303)
  • When Music, Gender & Disability Intertwine (Sat 3:00PM RM303)
  • Creating Inclusiveness in the Geek Community (Sat 3:00PM LL3)
  • Black, Latina, Girl and Geek: A Tale of Acceptance (Sat 3:30PM RM302)
  • 20 Years of Myst (Sat 5:00PM LL3)
  • Fan Studies: Past, Present, and Future(s) (Sat 5:30PM RM302)
  • Fat Girl: Fan Girl (Sat 6:00PM RM301)

SUNDAY OCTOBER 20

You’ll probably find us spending quite a bit of time in the DIY Science Zone on Level 3, a whole area where you can work side-by-side with scientists and science teachers. Not only does this look like an informative and fun area, there will be prizes! When not wandering around the gaming rooms and the artist and exhibitor halls, we’ll be parking it in the hall that will become combined rooms 301 and 302 on Sunday. 12:00PM will be a Spotlight on Denise Crosby (Tasha Yar on Star Trek: The Next Generation, and currently on Showtime’s Ray Donovan). Stay put in the hall for the 1:00PM Spotlight on Kelly Sue DeConnick, comic book writer and editor whose work on Captain Marvel and Avengers Assemble has earned her many accolades.

Other panels we will try to catch on Sunday:

  • The Changing Role of the Character of Color (Sun 10:00AM RM204)
  • Geek Girls in Higher Education (Sun 10:00AM LL2)
  • Geek Girl Jobs: The Women of EMP Museum (Sun 11:00AM RM303)
  • #1ReasonWhy: Play to Win (Sun 2:00PM RM 301/302)
  • QUEER GEEK!: Women in Gaymer Communities ( Sun 4:00PM LL2)
  • (Re)creating Female Sexuality in Comics (Sun 4:00PM RM 204)

We hope to run into some of you at the convention!

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“We’re No. 1!” The Things We Believe In

We’re No. 1! is a weekly feature looking at first issues in new comic series, as well as one-offs and special releases. In his reviews, Jeff highlights stories with diverse characters and plot lines Geekquality readers can care about, as well as points out comics that miss the mark.

L44“Indie” publishers hit the ground hard this week with new #1’s, beginning with Letter 44 from Oni Press. Stephen Blades is the President-Elect of the United States, succeeding two-term President Francis T. Carroll. Blades was elected to get the country out of Carroll’s overseas wars and he is ready to get the country on the right track. All that changes on his first day in office when her gets a secret letter from his predecessor. It turns out that NASA has discovered unknown alien technology in the asteroid belt between Mars and Jupiter, and the agency has been preparing for a possible invasion by rushing soldiers into combat and moving technology into R&D. What’s more, a mission to observe the alien construction was secretly launched three years prior and is days away from arrival at the site. The book is a farcical look at the possible interplay of real world politics and interplanetary discovery and/or catastrophe, and while sometimes humorous, I’m not sure that was the writer’s intent. Written by Charles Soule and illustrated by Alberto Jimenez Alburquerque, the book has obvious parallels to the U.S. President Obama inherited 8 years ago. Soule has fun poking about in the possibilities and conspiracies loved by government watchdogs, fanboys and theorists. What if the continued policies of the government (like the programs conducted by the NSA under both Pres. Bush and Pres. Obama’s watch) are part of a grander undertaking, something beyond the perceived understanding of the public? The tale says a lot about who we are and who we might be, a nation unprepared to deal with such a monumental discovery. The characters in the book are all dealing with it in unusual ways themselves, from Pres. Blades’ disbelief one moment and unwavering patriotism the next, to the fatalist ideals of the astronauts after a three year voyage and discovery of the alien site. Even with all that grandiose posturing and layered political commentary, Letter 44 doesn’t forget to be a comic book. The final page pay-off is one of the better comic book moments in the last few months. Continue reading

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Agents of S.H.I.E.L.D.: Ep. 4 – “Eye-Spy”

The Red Masks. These guys didn't turn out to be what I expected.

The Red Masks. These guys didn’t turn out to be what I expected.

We’ve now hit more-or-less a regular schedule for keeping up with Marvel & ABC’s new series Agents of S.H.I.E.L.D., after a decent yet still ho-hum pilot episode, a truly execrable second episode, and a third that finally lived up to the show’s promise. Coming into this week’s episode, “Eye-Spy”, I frankly had no idea where this show was headed in terms of quality.

Right off the bat, the fourth episode made a good impression visually, opening in Stockholm with a bizarre flashmob-esque scene culminating in a very unexpected crime. I don’t want to spoil the first few minutes, so I will just say that the parade of red-masked, identically attired men marching two-by-two looked great. It reminded me of the defunct Fox show Fringe, which I happened to love. In fact, much of the “Eye-Spy” carries the feeling of the first few seasons of Fringe, with the team using traditional investigative techniques (and day-after-tomorrow tech) to run down a decidedly non-traditional threat. Though if I were to follow through on this comparison, Skye is playing the Peter Bishop role here, and I like Peter way too much to make that comparison. Continue reading

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Crossplayers of NYCC 2013

New York Comic Con 2013 is mecca for cosplayers, and as always, there were some stunning examples of fandom on display this year. Thousands of fans turned out as some interpretation of their favorite characters, from first timers to professional cosplay models. The turnout of “cross-players” at this years Con was especially impressive, fans eschewing gender norms and putting some real creativity into their favorite heroes and villains, crossing boundaries and having fun. Here’s a selection of some of our favorites.

THE RIDDLER
IMG_4771 Continue reading

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NYCC’13 Panel Report: “Women in Comics” and “LGBT & Allies in Comics”

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In the mass of programming at this year’s NYCC, I was able to make it to a couple of panels aiming to discuss diversity and representation in comics. (There weren’t that many such panels to choose from, unfortunately, as has been pointed out.) The first was “Women in Comics”, moderated by Megan Kociolek (Youth Services Librarian at Nutley Public Library) and featuring comics creators Becky Cloonan (DEMO, Batman), Erica Schultz (M3), and Amy Chu of AlphaGirl Comics, as well as Emily Weisentstein from the Madison Public Library and Laura Pope-Robbins and Claudia McGivney, both of Downing College.

The panel kicked off with panelists highlighting what they’ve been reading recently, and progressed to a discussion of who has had the most impact on women in the comics universe. Batgirl writer Gail Simone was the first person mentioned, but Amy Chu also responded with a note of respect to writer Larry Hama: “Hama had a significant impact in terms of representation of women in mainstream comics. If you look at his comics in the ‘80’s with G.I.Joe and the way he rendered women and built women characters. They were real characters they weren’t just pinups.” Weisenstein also mentioned the influence of Jennifer Holm and her series Baby Mouse in getting both girls and boys to “go out and pick up a book with a pink cover.” Chris Claremont’s work in classic X-men stories, specifically taking Jean Grey from Marvel Girl to The Phoenix, was also cited as influential, as was the creation of Wonder Woman. Continue reading

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